Coming on the heels of Rosemary’s Baby and The Exorcist, Richard Donner’s The Omen mined further the prospect of the Devil wreaking havoc on the ostensibly prosperous and peaceful West, specifically by using a child to accomplish the task. The Omen trilogy does not reference Nazism or the Holocaust directly, but the films chronicle theContinue reading ““It’s all for you!” Whiteness as Monstrosity in The Omen trilogy”
-
Follow
Following
Already have a WordPress.com account? Log in now.
On Planet Auschwitz 